FiiO FD3 EQ settings
For the FD3: 5 published corrections, made by AutoEq. FluidEQ applies a correction to everything Windows plays, offline, as a layer that never touches your own bands.
What the corrections do
Each line is what a correction does to the sound from 20 Hz to 20 kHz: above the middle line it turns that range up, below it turns it down. Pick a tab to see any correction on its own.
- AutoEq Measured by Super Review (bass eartips) · 10 bands
- AutoEq Measured by Super Review (bass eartips) · 10 bands
- AutoEq Measured by Super Review (black nozzle) · 10 bands
- AutoEq Measured by Super Review (foam eartips) · 10 bands
- AutoEq Measured by Super Review (stock nozzle) · 10 bands
- AutoEq Measured by Super Review (vocal eartips) · 10 bands
Every correction, as Equalizer APO settings
Open one to see its settings. In FluidEQ, open EQ Presets and search for FD3: every correction below is there, credited, and applies in one click.
AutoEq Measured by Super Review (bass eartips)
Paste this into Equalizer APO, or import it into any equalizer that reads its text format.
Preamp: -5.2 dB Filter 1: ON LSC Fc 105 Hz Gain -1.4 dB Q 0.70 Filter 2: ON PK Fc 166 Hz Gain -4.5 dB Q 0.70 Filter 3: ON PK Fc 775 Hz Gain 2.4 dB Q 1.31 Filter 4: ON PK Fc 5128 Hz Gain 8.8 dB Q 0.91 Filter 5: ON PK Fc 5297 Hz Gain -11.9 dB Q 2.64 Filter 6: ON HSC Fc 10000 Hz Gain 5.0 dB Q 0.70 Filter 7: ON PK Fc 2268 Hz Gain -1.7 dB Q 3.18 Filter 8: ON PK Fc 3187 Hz Gain 1.7 dB Q 3.47 Filter 9: ON PK Fc 7373 Hz Gain -2.4 dB Q 5.80 Filter 10: ON PK Fc 2484 Hz Gain -0.3 dB Q 2.44
AutoEq Measured by Super Review (black nozzle)
Paste this into Equalizer APO, or import it into any equalizer that reads its text format.
Preamp: -5.3 dB Filter 1: ON LSC Fc 105 Hz Gain -1.0 dB Q 0.70 Filter 2: ON PK Fc 175 Hz Gain -4.3 dB Q 0.68 Filter 3: ON PK Fc 833 Hz Gain 2.9 dB Q 0.77 Filter 4: ON PK Fc 3618 Hz Gain 4.1 dB Q 2.30 Filter 5: ON PK Fc 5268 Hz Gain -4.3 dB Q 5.38 Filter 6: ON HSC Fc 10000 Hz Gain 5.3 dB Q 0.70 Filter 7: ON PK Fc 2362 Hz Gain -1.0 dB Q 4.53 Filter 8: ON PK Fc 1698 Hz Gain 0.4 dB Q 2.62 Filter 9: ON PK Fc 6322 Hz Gain 1.1 dB Q 6.00 Filter 10: ON PK Fc 5689 Hz Gain -1.5 dB Q 5.99
AutoEq Measured by Super Review (foam eartips)
Paste this into Equalizer APO, or import it into any equalizer that reads its text format.
Preamp: -5.7 dB Filter 1: ON LSC Fc 105 Hz Gain -1.1 dB Q 0.70 Filter 2: ON PK Fc 169 Hz Gain -4.4 dB Q 0.64 Filter 3: ON PK Fc 3274 Hz Gain 5.6 dB Q 2.35 Filter 4: ON PK Fc 779 Hz Gain 2.4 dB Q 0.87 Filter 5: ON PK Fc 2053 Hz Gain -1.9 dB Q 2.75 Filter 6: ON HSC Fc 10000 Hz Gain 5.4 dB Q 0.70 Filter 7: ON PK Fc 5139 Hz Gain -4.2 dB Q 5.18 Filter 8: ON PK Fc 6336 Hz Gain 2.2 dB Q 6.00 Filter 9: ON PK Fc 4005 Hz Gain 1.3 dB Q 5.25 Filter 10: ON PK Fc 36 Hz Gain -0.1 dB Q 2.03
AutoEq Measured by Super Review (stock nozzle)
Paste this into Equalizer APO, or import it into any equalizer that reads its text format.
Preamp: -5.6 dB Filter 1: ON LSC Fc 105 Hz Gain -1.2 dB Q 0.70 Filter 2: ON PK Fc 170 Hz Gain -4.5 dB Q 0.66 Filter 3: ON PK Fc 3572 Hz Gain 5.6 dB Q 1.88 Filter 4: ON PK Fc 767 Hz Gain 2.6 dB Q 1.19 Filter 5: ON PK Fc 5099 Hz Gain -3.6 dB Q 5.46 Filter 6: ON HSC Fc 10000 Hz Gain 5.3 dB Q 0.70 Filter 7: ON PK Fc 2213 Hz Gain -1.6 dB Q 3.34 Filter 8: ON PK Fc 8707 Hz Gain 0.9 dB Q 5.05 Filter 9: ON PK Fc 6618 Hz Gain 1.2 dB Q 6.00 Filter 10: ON PK Fc 2882 Hz Gain 0.9 dB Q 4.73
AutoEq Measured by Super Review (vocal eartips)
Paste this into Equalizer APO, or import it into any equalizer that reads its text format.
Preamp: -5.8 dB Filter 1: ON LSC Fc 105 Hz Gain -1.6 dB Q 0.70 Filter 2: ON PK Fc 156 Hz Gain -4.4 dB Q 0.88 Filter 3: ON PK Fc 3357 Hz Gain 5.2 dB Q 2.57 Filter 4: ON PK Fc 817 Hz Gain 2.4 dB Q 1.10 Filter 5: ON PK Fc 275 Hz Gain -1.1 dB Q 1.41 Filter 6: ON HSC Fc 10000 Hz Gain 5.8 dB Q 0.70 Filter 7: ON PK Fc 5216 Hz Gain -3.9 dB Q 5.87 Filter 8: ON PK Fc 8298 Hz Gain 1.6 dB Q 4.31 Filter 9: ON PK Fc 2173 Hz Gain -1.0 dB Q 4.12 Filter 10: ON PK Fc 4168 Hz Gain 1.3 dB Q 4.83
Correction data from OPRA, under CC BY-SA 4.0. Every correction keeps the name of who made and measured it. Where they all come from.